Endgame

I was really impressed by endgame and I'm really sad that it only was given one season. Here's an example of some quality Canadian television, that isn't laced with Canadiana.

I'm definitely going to keep my eye open for the writers of this show as well Patrick Doyle who does an exemplary job as the lead.

Now I'll admit I was a little hesitant after watching the pilot. I thought the technique they used when he was thinking about the case and the graphics used were a bit weird, but eventually it really grew on me. What I specifically grew to like was how he would speak with the victims and suspects, and how they would always respond in different character.

All in all, I thought there was a fair bit of inspired writing, and inventive technique in Endgame.

Cheers,
Sousaplex

Graduated

So, recently I've become a graduate.

That's me on the left.

I'm happy to say I've graduated from York University with a degree in Economics. Yes, it's true, I'm finally free. Economics is a fascinating subject, and the analytical tools I've learned to use will always be in my repertoire. As much as I hated it, it's made me a better person. I'd also like to think it's made me a better storyteller too.

On this note, I now have a lot more free time, which I plan to dedicate towards several endeavours, one of which is this blog.

I'd like to announce what I plan on discussing, as a way of setting some goals.

Here goes.

A) Endgame
B) Suits
C) Star Trek - Deep Space Nine

I know it's pretty random. But I promise some insightful articles.

Young Justice, & Supersymmetry

Hey All,

I just watched the pilot of Young Justice, and was impressed by how they handled the source material. What I was impressed with was how they handled what I like to call "Super-symmetry".

Now many times in a story you see symmetrical aspects such as good versus evil, and how they can be the same yet opposite. Sometimes though, this technique is used to the point where all variation is taken away. Examples escape me at the moment, but feel free to chime in if you can think of one.

(I promise to get into more depth on this topic in later posts)

Young Justice handled it beautifully. Here is a show about sidekicks comprising of Robin, Aqualad, KidFlash, Speedy, Miss Martian, and Superboy (at first). Many of these being originally, market based character creations in order to expand their respective franchises.

"People love Robin the Boy Wonder so let's make a Superboy"*

Here are some things I noticed:

1) They eliminated Speedy in the very beginning, probably because he is the exact same as Robin.

a)Robin is Dick Grayson, an orphan who is taken in by billionaire Bruce Wayne (a.k.a Batman) and acts as his sidekick. (ward relationship)

b) Speedy is Roy Harper Jr., an orphan who is taken in by millionaire Oliver Queen (a.k.a. Green Arrow) and acts as his sidekick. (ward relationship)

2) They staggered the introduction of various members. So Robin, Speedy, Aqualad, and KidFlash were introduced at the very beginning. Speedy left, leaving just three. Near the middle, they introduced Superboy, and at the end they introduced Miss Martian. Nice staggering.

3) They made sure each character, which is or was essentially a sidekick, had varying relationships to their respective main hero.

a) Robin is Batman's ward.

b) Aqualad is Aquaman's subject. (political relationship)

c) Kid Flash is Flash's nephew. (familial relationship)

d) Superboy is Superman's clone. (obliged familial relationship, points for drama)

e) Miss Martian is Martian Manhunter's niece. (familial relationship, this is the one repeat of the bunch)**

Anyways, it's a promising start for Young Justice.

*You can read up more on this if you look up the lawsuit between the Siegels and DC Comics.

**She was introduced at the end, so we'll see how she plays out in the series.

Cheers,

Sousaplex

The Teaser

This is my 3rd blog.

Hopefully this time it sticks. I am really pretty awful at writing regularly, especially when it comes to blogs. That being said, I came to a recent realization. I know quite a lot about TV. I mean I think I probably watch more TV than anyone I know. In fact, let's not say I watch TV so much as I study it. And why do I study it?

Well mostly because I want to be a television screenwriter.

And so, I have decided to write down, in the form of a blog, all the little patterns, tricks, techniques and other various minutiae I glean from watching TV.

I promise to get a new sign off phrase, but at the moment this seems like the most appropriate;

Tune in tomorrow -

same Bat-time, same Bat-channel!